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Sign In. New Customer? Create account. Amy R R 2h 8m. Play trailer Documentary Biography Music. Director Asif Kapadia. Top credits Director Asif Kapadia. See more at IMDbPro. Videos Trailer Watch Theatrical Trailer. Watch Teaser Trailer. Watch Celebrity Culture. Clip Watch Back To Black. Watch Fame. Watch Happy Birthday. Watch Depression. Watch Clip: "Happy Birthday". Featurette Watch Exclusive Featurette. Photos Top cast Edit. Amy Winehouse Self archive footage.

Mitch Winehouse Self as Mitchell Winehouse. Mark Ronson Self. Russell Brand Self archive footage. Lauren Gilbert Self. Let's just say that Amy's dad, Mitchell, seems more interested in Amy's money than in Amy's well-being.

And it's not like Kapadia has to make it up or anything: it's all right there on tape and in Mitch's own words! Second, there is some unbelievably great footage of Amy performing "Stronger Than Me" in at Island Records; "What Is It About Men" at the North Jazz Festival in Rotterdam; and most chilling of all, "Back to Black" filmed in the studio in what turns out to be the perfect take, where we hear Amy mostly a-cappella with her headphones on, and her arm casually on a chair, wow, just wow.

There are many other stunning moments in this documentary, I can't even begin to list them all. Most amazing is of course that when Amy was at the peak of her creativity in , she was just yrs.

I saw Amy perform at Coachella in April, , just as the rocket ship to fame and fortune was taking off. Incredible performance. Last, when Amy becomes the victim of her own success and is hounded relentlessly by the British paparazzi, it all feels eerily familiar to seeing Princess Diana in her last couple of years.

Beware: "Amy" is at times uncomfortable viewing, for many reasons, but "Amy" simply reflects the uncomfortable aspects of Amy's life, and does not sugarcoat things or aims to make this film into a 'love letter' to Amy Winehouse. At times uncomfortable, yes, but riveting from start to finish, watch "Amy" scoop up many nominations when the awards season comes around later this year and in early I had been looking forward to seeing this for a long time.

The early evening screening where I saw this was very nicely attended, to my pleasant surprise. When word-of-mouth gets around, I bet this will play for quite a while in the theaters. If you like top-notch documentaries, regardless of whether you know much of Amy Winehouse going in, you cannot go wrong with this. A very worthy attempt at bringing the Amy Winehouse story to the screen by Red-Barracuda I remember when Amy Winehouse died back in it had a certain inevitability about it yet was still shocking and very sad.

The media had made a meal out of her problems documenting them at every given opportunity and her increasingly emancipated appearance was publicised for all to see, courtesy of the lowlifes of the paparazzi. Hers was life in a goldfish bowl by the end and for a person who never wanted fame in the first place; this made her life all the more difficult.

What complicated matters so fatally was that in amongst all of this, she had a predisposition for drink and drugs. This documentary about her has been made by Asif Kapadia who directed the film Senna which remains one of the most highly respected documentaries of recent years. When you consider that that film was also about someone at the top of their field who died young in a dramatic and sudden manner, you could say that there are some similarities between both stories.

But in reality the Amy Winehouse story is a much darker one, with its central character going on an extended path of self-destruction. And one in which we in the audience know only too well how it ends. The film is made up of home video and TV clips of Winehouse and fills in details with recollections of people who were close to her in the form of voice-overs, as opposed to a more traditional talking heads format. After the release of her definitive album Back to Black in , Winehouse basically retreated and conducted next to no interviews which of course posed the film-makers some problems and the effect is that as the film goes on she becomes increasingly remote and we feel like we know her less.

The contrast between the Amy of the early years to the one latterly seen is pretty pronounced. Her appearance became more intense and she quickly covered herself with an assortment of harsh tattoos. This phase coincided with her downward spiral with drink and drugs. It seems pretty clear that her attachment to her husband Blake Fielder was inextricably linked to this.

He came across as a hanger-on who led her onto hard drugs and who then had little self-interest in getting her off them. The problem was that she loved him and it was this that made the situation so destructive.

Throughout the film, as her songs play, her lyrics are displayed on screen and it is obvious that much of her music was based on highly personal emotional songs that constantly were sourced from her experiences in relationships. So much of her success was derived from this well of emotion but it was one that could equally destabilise her.

This was only exacerbated by her bouts of depression and her problematic relationship with her dad. There is no getting away with the fact that this is a sad story; one that is all the more shaming when you consider that it played out so visibly in the public eye.

But the public eye is very uncaring unfortunately and all too often empathises when it is far too late. But this film also captures the voice and the humour, so integral to Amy Winehouse. And so while it is impossible to ignore the tragedy, the beauty is here too.

This was, after all, a very singular artist whose roots were in jazz, which is hardly a music for lightweights. Amy Winehouse was a proper talent who made music entirely on her own terms. If I was to criticise mildly it would be to say that the film itself might be marginally too long and perhaps goes over some ground more than it has to. But mainly this is ultimately a very worthy attempt to tell what is a complex and contrasting story to the screen with all its darkness and light.

Who killed Amy? I went to see it, hoping it would answer two questions. One: could Amy Winehouse's death have been prevented in any way? Two: if so, by whom?

The film provides crystal clear answers to both questions. One: no, it probably couldn't have been prevented - at best it could have been postponed. Two: several members of her entourage have probably contributed to her downward spiral.

Her husband, who encouraged her drugs abuse and seems to be an utterly despicable person. And the press, who relentlessly haunted her and enjoyed every misstep in her life. But the documentary also makes one thing very clear: in the end there's only one person responsible for Amy Winehouse's death: Amy Winehouse. Apart from providing a stunning insight in Winehouse's short life and career, 'Amy' is also a great movie from a cinematographic perspective.

The unique feature is that it consists almost entirely of existing footage. It's absolutely incredible what the film makers with the help of the Winehouse family have unearthed.

Lots of home videos, from her youth as well as from her later life, interviews, recording sessions, telephone conversations, even voice mail messages. Sometimes it almost feels uncomfortable to view images, clearly made for personal use, on a giant screen.

But they are extremely revealing.

 

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Audio Software icon An illustration of a 3. Software Images icon An illustration of two photographs. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. Metropolitan Museum Cleveland Museum of Art. It's intimate, raw, sympathetic and heartbreaking.

With so much footage of her, in the end, you feel like you really knew her. And it's absolutely gut-wrenching when she dies. But in truth, he already did that himself. Although the film shows him as a loving father that wants what's best for Amy, it does show him as someone who could have done more for her. Other times, he takes a misstep in trying to get his daughter off drugs, such as insisting she doesn't go to rehab the first time, then the second time allowing both her and her drug addicted husband Blake I curse the day she ever met him to go clean in the same clinic, which results in them going on a horrific binge later.

And another, such as bringing in a horde of cameras on holiday, when the entire purpose was for Amy to get away from all of the cameras and publicity. Like Kurt Cobain, she was a fragile human being who couldn't handle the fame. If one doesn't have it in their blood to withstand the pressure, they won't survive. Tragically, neither Kurt nor Amy could handle it. This brilliant bio-doc paints an entirely different picture of Amy Winehouse, other than the nasty tabloids story that hampered her over the years.

The tense moments when the paparazzi assaults Amy whenever she goes out got me really annoyed. This picture is one of a loving, talented, rebellious, music loving young Jewish girl - caught up in the dangerous parts of the music industry and ultimately crippled by addiction.

It is a very honest and emotional movie with personal clips that show her rise to fame and her feelings about it. One of the biggest reasons why I loved it was because all the different sides of her life were presented in the movie.

I loved how all the opposing sides agreed to come together and make this amazing movie. Her parents, managers, ex husband were all included, even though they probably hate one another in real life. I was a big fan of Amy Winehouse before but this movie made me appreciate her personality and clever poetry.

Highly recommended. It's sad, depressing, interesting and very insightful. You feel like a fly on the wall as you watch raw video footage throughout that shows you that there were various factors that lead to her Drug addiction and untimely death. It shows you that she wasn't just a dumb junkie but from a young age she was a very mentally troubled person.

She had a lack of discipline at a young age. Her Father neglected her as a child. But he had no problem using her as a meal ticket once she became famous. Whilst I don't condone Drugs the doc does show you how and why people try and get hooked on them.

The Doc is very fair in showing the good side and bad side of Amy. Ultimately it leaves it up to you to make your own judgement about her.

My only gripe is that Amy's final Boyfriend Reg Traviss isn't in it at all. This is a huge omission considering he was with her until she died. Overall it is an amazing documentary that is thought provoking and will create a debate between people. In fact, I believe she still can hold that title, even almost five years after her death. Her voice was something unlike anyone ever heard and could be in the same league as Etta James, Billie Holiday, and Edith Piaf.

In addition to her voice, she was charming, witty, and a ton of fun to be around. You just couldn't get enough of her likable personality.

It's a very sad story, which director Asif Kapadia 'Senna' tells perfectly through only home video footage and present day voice interviews with those closest to the talented singer.

Amy's parents, friends, and management company allowed for all of the intimate concert footage, behind the scenes footage, and the rare home movies to be showed here, however, Amy's parents are not too happy now, once they've seen the final product.

This makes me laugh, because her parents aren't exactly good people, and were mostly responsible for her downfall. Simply titled 'Amy', we get a glimpse of Amy's life before she made it famous. She sure was a lot of fun, as we see her hanging out with friends and being a little ham at birthday parties or even pretending to give a house tour as a Spanish maid.

It was quite funny. With interviews with her own parents, closest friends, and even Mark Ronson, Salaam Remi, Yassin Bey, Tony Bennett, and Questlove, we see through the eyes of those near her, what life was like. Even her awful human being of a lover she kept, Blake Fielder is interviewed here, and he is as atrocious as he was ten years ago, without a remorse for anything related to Amy or in life really.

However, they - in particular, Amy's father, Mitch Winehouse - soon began to feel they were being misrepresented in the documentary, that the negative aspects of Amy's life were receiving much more attention than the positive, and that footage had been edited in order to produce an inaccurate narrative of Amy's story, especially the last three years of her life. Mitch Winehouse has said that Amy's fans should consider seeing the film for the rare, previously unseen, archive footage of his daughter, but should pay no attention to the film's general portrayal of her, which he has labeled "preposterous".

At the time the festival was still in The Hague. And not -yet- in Rotterdam, as the movie states. She performed at one of the stages in the basement. Quotes Tony Bennett : If she had lived, I would have said:. Hill , Mildred J. User reviews Review. Featured review. What's not to love about Amy? Her death! But she didn't and lost her young life to drugs, alcohol, relentless fame, and a father, husband, manager and a whole menagerie of hangers on, whose motives were suspicious at the least.

Or, maybe I should say her father, Nick, is only the most obvious sinner as he gains a reality TV show and allows his daughter to perform even in the face of her decline. Although Amy the documentary doesn't give anyone a pass, it does show Amy's slow descent into dependencies that can only in the end be characterized as her own.

The strength of the doc, however, is not to blame everyone except by implication and their very words, some of which are voiced over rather than through boring talking heads. The first half of the film is a glorious catalogue of her young days at home and then early on singing jazz. Her tight dresses and fab legs don't even distract when we watch the essence of soul emerge out of her voice and face. Even I, barely knowledgeable in the genre, could spy greatness in her every breath. As if to remind us of her genius, she comes back from rehab to briefly exonerate herself by singing a duet with Tony Bennett.

Her diffidence with that icon next to her is as endearing as it is appropriate, given his stature in the business and her relative inexperience. Yet, Bennett himself acknowledges her gifts and compares her to the greats like Ella Fitzgerald. Amy is director Asif Kapadia's unforgettable achievement, one of the finest music documentaries ever.

However, it is not an easy ride, especially when we can feel ever so slightly complicit as we contribute to the crushing adulation of celebrity and unvarnished love of capitalism. Uploaded by Jabajabba on December 15, Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest. Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book.

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